The Duchess of Padua
by Oscar Wilde
Simone Gesso, Duke of Padua
Beatrice, his Wife
Andreas Pollajuolo, Cardinal of Padua
Maffio Petrucci, }
Jeppo Vitellozzo, } Gentlemen of the Duke's Household
Taddeo Bardi, }
Guido Ferranti, a Young Man
Ascanio Cristofano, his Friend
Count Moranzone, an Old Man
Bernardo Cavalcanti, Lord Justice of Padua
Hugo, the Headsman
Lucy, a Tire woman
Servants, Citizens, Soldiers, Monks, Falconers with their hawks and dogs, etc.
Time: The latter half of the Sixteenth Century
Style of Architecture: Italian, Gothic and Romanesque.
THE SCENES OF THE PLAY
ACT I. The Market Place of Padua (25 minutes).
ACT II. Room in the Duke's Palace (36 minutes).
ACT III. Corridor in the Duke's Palace (29 minutes).
ACT IV. The Hall of Justice (31 minutes).
ACT V. The Dungeon (25 minutes).
The Market Place of Padua at noon; in the background is the great Cathedral of Padua; the architecture is Romanesque, and wrought in black and white marbles; a flight of marble steps leads up to the Cathedral door; at the foot of the steps are two large stone lions; the houses on each aide of the stage have coloured awnings from their windows, and are flanked by stone arcades; on the right of the stage is the public fountain, with a triton in green bronze blowing from a conch; around the fountain is a stone seat; the bell of the Cathedral is ringing, and the citizens, men, women and children, are passing into the Cathedral.
[Enter GUIDO FERRANTI and ASCANIO CRISTOFANO.]
Now by my life, Guido, I will go no farther; for if I walk another step I will have no life left to swear by; this wild-goose errand of yours!
[Sits down on the step of the fountain.]
I think it must be here. [Goes up to passer-by and doffs his cap.] Pray, sir, is this the market place, and that the church of Santa Croce? [Citizen bows.] I thank you, sir.
Ay! it is here.
I would it were somewhere else, for I see no wine-shop.
[Taking a letter from his pocket and reading it.] ‘The hour noon; the city, Padua; the place, the market; and the day, Saint Philip’s Day.’
And what of the man, how shall we know him?
[reading still] ‘I will wear a violet cloak with a silver falcon broidered on the shoulder.’ A brave attire, Ascanio.
I’d sooner have my leathern jerkin. And you think he will tell you of your father?
Why, yes! It is a month ago now, you remember; I was in the vineyard, just at the corner nearest the road, where the goats used to get in, a man rode up and asked me was my name Guido, and gave me this letter, signed ‘Your Father’s Friend,’ bidding me be here to-day if I would know the secret of my birth, and telling me how to recognise the writer! I had always thought old Pedro was my uncle, but he told me that he was not, but that I had been left a child in his charge by some one he had never since seen.
And you don’t know who your father is?