The most wonderful of all, and this alone is worth a trip to Bloomsbury, is a bas-relief representing a marriage scene, Juno Pronuba is joining the hands of a handsome young noble and a very stately lady. There is all the grace of Perugino in this marble, all the grace of Raphael even. The date of it is uncertain, but the particular cut of the bridegroom's beard seems to point to the time of the Emperor Hadrian. It is clearly the work of Greek artists and is one of the most beautiful bas-reliefs in the whole Museum. There is something in it which reminds one of the music and the sweetness of Propertian verse. Then we have delightful friezes of children. One representing children playing on musical instruments might have suggested much of the plastic art of Florence. Indeed, as we view these marbles it is not difficult to see whence the Renaissance sprang and to what we owe the various forms of Renaissance art. The frieze of the Muses, each of whom wears in her hair a feather plucked from the wings of the vanquished sirens, is extremely fine; there is a lovely little bas- relief of two cupids racing in chariots; and the frieze of recumbent Amazons has some splendid qualities of design. A frieze of children playing with the armour of the god Mars should also be mentioned. It is full of fancy and delicate humour.

We hope that some more of the hidden treasures will shortly be catalogued and shown. In the vaults at present there is a very remarkable bas-relief of the marriage of Cupid and Psyche, and another representing the professional mourners weeping over the body of the dead. The fine cast of the Lion of Chaeronea should also be brought up, and so should the stele with the marvellous portrait of the Roman slave. Economy is an excellent public virtue, but the parsimony that allows valuable works of art to remain in the grim and gloom of a damp cellar is little short of a detestable public vice.

L'ENVOI

Amongst the many young men in England who are seeking along with me to continue and to perfect the English Renaissance--jeunes guerriers du drapeau romantique, as Gautier would have called us-- there is none whose love of art is more flawless and fervent, whose artistic sense of beauty is more subtle and more delicate--none, indeed, who is dearer to myself--than the young poet whose verses I have brought with me to America; verses full of sweet sadness, and yet full of joy; for the most joyous poet is not he who sows the desolate highways of this world with the barren seed of laughter, but he who makes his sorrow most musical, this indeed being the meaning of joy in art--that incommunicable element of artistic delight which, in poetry, for instance, comes from what Keats called "sensuous life of verse," the element of song in the singing, made so pleasurable to us by that wonder of motion which often has its origin in mere musical impulse, and in painting is to be sought for, from the subject never, but from the pictorial charm only--the scheme and symphony of the colour, the satisfying beauty of the design: so that the ultimate expression of our artistic movement in painting has been, not in the spiritual vision of the Pre-Raphaelites, for all their marvel of Greek legend and their mystery of Italian song, but in the work of such men as Whistler and Albert Moore, who have raised design and colour to the ideal level of poetry and music.