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by Oscar Wilde

The Greeks, with their
quick artistic instinct, understood this, and set in the bride's chamber
the statue of Hermes or of Apollo, that she might bear children as lovely
as the works of art that she looked at in her rapture or her pain. They
knew that Life gains from art not merely spirituality, depth of thought
and feeling, soul-turmoil or soul-peace, but that she can form herself on
the very lines and colours of art, and can reproduce the dignity of
Pheidias as well as the grace of Praxiteles. Hence came their objection
to realism. They disliked it on purely social grounds. They felt that
it inevitably makes people ugly, and they were perfectly right. We try
to improve the conditions of the race by means of good air, free
sunlight, wholesome water, and hideous bare buildings for the better
housing of the lower orders. But these things merely produce health,
they do not produce beauty. For this, Art is required, and the true
disciples of the great artist are not his studio-imitators, but those who
become like his works of art, be they plastic as in Greek days, or
pictorial as in modern times; in a word, Life is Art's best, Art's only
pupil.--_The Decay of Lying_.


LIFE THE PLAGIARIST


I once asked a lady, who knew Thackeray intimately, whether he had had
any model for Becky Sharp. She told me that Becky was an invention, but
that the idea of the character had been partly suggested by a governess
who lived in the neighbourhood of Kensington Square, and was the
companion of a very selfish and rich old woman. I inquired what became
of the governess, and she replied that, oddly enough, some years after
the appearance of _Vanity Fair_, she ran away with the nephew of the lady
with whom she was living, and for a short time made a great splash in
society, quite in Mrs. Rawdon Crawley's style, and entirely by Mrs.
Rawdon Crawley's methods. Ultimately she came to grief, disappeared to
the Continent, and used to be occasionally seen at Monte Carlo and other
gambling places. The noble gentleman from whom the same great
sentimentalist drew Colonel Newcome died, a few months after _The
Newcomer_ had reached a fourth edition, with the word 'Adsum' on his
lips. Shortly after Mr. Stevenson published his curious psychological
story of transformation, a friend of mine, called Mr. Hyde, was in the
north of London, and being anxious to get to a railway station, took what
he thought would be a short cut, lost his way, and found himself in a
network of mean, evil-looking streets. Feeling rather nervous he began
to walk extremely fast, when suddenly out of an archway ran a child right
between his legs. It fell on the pavement, he tripped over it, and
trampled upon it. Being of course very much frightened and a little
hurt, it began to scream, and in a few seconds the whole street was full
of rough people who came pouring out of the houses like ants. They
surrounded him, and asked him his name. He was just about to give it
when he suddenly remembered the opening incident in Mr. Stevenson's
story. He was so filled with horror at having realised in his own person
that terrible and well-written scene, and at having done accidentally,
though in fact, what the Mr. Hyde of fiction had done with deliberate
intent, that he ran away as hard as he could go.

Page 6 of 57
  • Biography
  • Plays:
    • A Woman of No Importance (39 pages)
    • An Ideal Husband (54 pages)
    • Lady Windermere's Fan (38 pages)
    • The Importance of Being Earnest (38 pages)
    • Salomé (21 pages)
    • The Duchess of Padua (39 pages)
    • Vera, or the Nihilists (34 pages)
    • A Florentine Tragedy (7 pages)
    • La Sainte Courtisane (4 pages)
  • Prose  »
    • The Picture of Dorian Gray (90 pages)
    • Lord Arthur Savile's Crime (21 pages)
    • The Canterville Ghost (19 pages)
    • The Portrait of Mr. W. H. (19 pages)
  • Short Stories  »
  • Poetry  »
  • Essays, Lectures, Reviews  »
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