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by Oscar Wilde

Then it was seen that the only meaning of progress is a
return to Greek modes of thought. The monkish hymns which obscured the
pages of Greek manuscripts were blotted out, the splendours of a new
method were unfolded to the world, and out of the melancholy sea of
mediaevalism rose the free spirit of man in all that splendour of glad
adolescence, when the bodily powers seem quickened by a new vitality,
when the eye sees more clearly than its wont and the mind apprehends what
was beforetime hidden from it. To herald the opening of the sixteenth
century, from the little Venetian printing press came forth all the great
authors of antiquity, each bearing on the title-page the words [Greek
text]; words which may serve to remind us with what wondrous prescience
Polybius saw the world's fate when he foretold the material sovereignty
of Roman institutions and exemplified in himself the intellectual empire
of Greece.

The course of the study of the spirit of historical criticism has not
been a profitless investigation into modes and forms of thought now
antiquated and of no account. The only spirit which is entirely removed
from us is the mediaeval; the Greek spirit is essentially modern. The
introduction of the comparative method of research which has forced
history to disclose its secrets belongs in a measure to us. Ours, too,
is a more scientific knowledge of philology and the method of survival.
Nor did the ancients know anything of the doctrine of averages or of
crucial instances, both of which methods have proved of such importance
in modern criticism, the one adding a most important proof of the
statical elements of history, and exemplifying the influences of all
physical surroundings on the life of man; the other, as in the single
instance of the Moulin Quignon skull, serving to create a whole new
science of prehistoric archaeology and to bring us back to a time when
man was coeval with the stone age, the mammoth and the woolly rhinoceros.
But, except these, we have added no new canon or method to the science of
historical criticism. Across the drear waste of a thousand years the
Greek and the modern spirit join hands.

In the torch race which the Greek boys ran from the Cerameician field of
death to the home of the goddess of Wisdom, not merely he who first
reached the goal but he also who first started with the torch aflame
received a prize. In the Lampadephoria of civilisation and free thought
let us not forget to render due meed of honour to those who first lit
that sacred flame, the increasing splendour of which lights our footsteps
to the far-off divine event of the attainment of perfect truth.--_The
Rise of Historical Criticism_.


THE POSSIBILITIES OF THE USEFUL


There are two kinds of men in the world, two great creeds, two different
forms of natures: men to whom the end of life is action, and men to whom
the end of life is thought.

Page 40 of 57
  • Biography
  • Plays:
    • A Woman of No Importance (39 pages)
    • An Ideal Husband (54 pages)
    • Lady Windermere's Fan (38 pages)
    • The Importance of Being Earnest (38 pages)
    • Salomé (21 pages)
    • The Duchess of Padua (39 pages)
    • Vera, or the Nihilists (34 pages)
    • A Florentine Tragedy (7 pages)
    • La Sainte Courtisane (4 pages)
  • Prose  »
    • The Picture of Dorian Gray (90 pages)
    • Lord Arthur Savile's Crime (21 pages)
    • The Canterville Ghost (19 pages)
    • The Portrait of Mr. W. H. (19 pages)
  • Short Stories  »
  • Poetry  »
  • Essays, Lectures, Reviews  »
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